The story spans ten years and is about how two people's love endured and persisted through separation in the turmoil and chaos of the war and subsequent cold war "peace" as Barbara becomes a refugee and survives two dangerous treks toward the West through bombings, strafings and starvation.
While Mike becomes
a wounded
warrior, survives a random
massacre of prisoners and becomes
a Prisoner of War for three years, surviving by dint of his charm and
trickery.
The couple survived and
eventually reunited because of love, courage, faith and
miraculous events.
Barbara wrote a book about her
experience entitled Fleeing to the Friendly Enemy. Gary
Edwards interviewed
Mike and expanded the story to include more of his experiences.
Then, wrote a play,
which he converted into the current musical, THE FRIENDLY ENEMY.
The Friendly Enemy contains many
classical elements in the music. It also features musical
cultural elements of a group of settlers in 1940's Rumania called Saxons including how
they wove their cloth, courtship traditions and some of their
centuries old folk dances and musical styles and musical
reflections of the Saxons interactions with local ethnic
Rumanians, Jews and Gypsies. The musical also includes music with
some pop styles and should appeal to audiences of many tastes
from the classical to the popular.
Another basic theme of the musical, The Friendly Enemy, is World War II viewed from the Enemy point of view.
After six decades it's time for resolution, forgiveness and moving on.
Hershell Norwood PhD candidate in Drama is directing and producing the
musical version at
Spokane Community College for a staged performance April 14th through
20th, 2008. We are looking for singers
who can act and dance, extras and musicians for the pit orchestra. Preference will go to Spokane Community
College students. All are encouraged to audition and many will be asked to help, including in the area of
set design and construction, lighting, sound, makeup & wardrobe and all the behind the scenes activities.
Sheri Stone at the Songbird has expressed an interest in staging,
The Friendly Enemy, possibly at NIC
after the premiere performance in April, possibly by summer 2008. This
musical is also being presented to film
production for consideration for filming.
Gary hopes that the musical will ultimately benefit his work with the homeless through a non-profit he
founded called Fresh Start, Inc. which operates a Day Center, Free Medical Clinic, etc. for
the homeless at 418
Coeur d'Alene Avenue, Coeur d'Alene, Idaho.
Auditions will be held January 10th and 11th from 1:30 p.m. to 4 p.m. at the Laird Auditorium Theater,
Spokane Community College, Mission and Greene Streets, Spokane Washington. Characters include: females to represent
ages 14 through 24, males to play parts ranging from age 17 to 27, adult males, adult females, male over 60,
female over 60, female child age 5 to 8. Extras for crowd scenes, etc.
Instrumentalists are encouraged to
contact Composer/Conductor Gary A. Edwards at 208-699-0848
now to experience performing in the opera's orchestra.
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The Friendly Enemy Musical is based upon the following Opera Treatment
Act I The courtship of Mike and Barbara Weber.
Location Tschippendorf, Rumania.
00 Overture - Instrumental, introduction of
various themes of the opera.
01 Narrator’s Introduction - This music
features an older contralto singing the background introduction to
The Friendly Enemy Opera. Hint. At the end of the opera it is
revealed that this singer Narrator is the heroine’s daughter
mentioned in the second act who took part in the harrowing
adventures as part of the group of refugees in which the heroine
participated.
02 Barbara’s Prayer - Barbara gives thanks
for all her blessings, poor as she is. She prays o meet someone
interesting at the spindle party later today. This piece introduces
the main female lead character.
03 Spinning Dance - Barbara’s mother
explains how to spin the hemp into cloth using
a spindle to her daughters
and young female friend. The girls then dance and the music evolves
into a symbol of how their
lives are woven into the result.
04 Mike Meets Barbara - This music starts
with teenage girls anticipating the arrival of some boys, including
a reputedly handsome sophisticated city stranger named Mike Weber. The boys arrive and
interrupt the girls spinning work with boasts and bragging. Mike
tells his life story of growing up in the city and this adds to his
allure.
05 Romance Theme - The music changes to
a romantic theme as Mike Weber tricks Barbara into giving him
a kiss, which infuriates his rival, Mike Prall. The music ends with everyone singing the
Transylvania patriotic song Siebenbürgen.
06 Preacher's Prayer -
A sonorous somber them
highlights the tone of the preacher in church preaching that
children should avoid temptations, without giving specifics and
admonishing the congregation to be patriotic and prepared to
sacrifice the blood of their children if war comes, comparing this
to Christ’s sacrifice.
07 After Church Courtship - Mike flirts
with Barbara after church and starts his more serious .
08 Fight - Mike is confronted by his rival
who provokes a fight, in
which Mike sends his foe scurrying away in abject surrender. The
music is fast and furious as well as the choreography for the fight
scene.
09 Gypsy Polka - Barbara is enjoying
herself at the weekly community dance as Mike’s courtship continues
to the Gypsy Band music playing in the background.
10 - Seven Step Dance- Children are
being taught a traditional
Saxon folk dance by Barbara’s Mother.
11 Family Discussion - Most of the music in
this section is recitativo or changes mood and tempo frequently as
the family discusses the suitability of Mike Weber as
a suitor for Barbara’s
hand. Practical questions dominate the discussion, as the family
wants to ensure their survivability through
a marriage. Questions arise about how a city boy
with no attachment to local traditions can manage to do heavy farm
work, but Grandfather Ohler’s liking for Mike Weber helps carry the
day in Mike’s favor.
12 Happiness - This is
a duet between Mike Weber
and Barbara as she informs him of her family’s approval of his
courtship. However, the minor key of the music provides
a somber tone as if in
anticipation of the tragedies and difficulties facing this alliance
in the near future. Mike finally proposes and then Barbara tells him
he is a little late; the
family is already planning their wedding.
13 13b Seven Step - Then the music shifts
to a celebration dance to the music of a
continuation of the13b Seven Step Dance music.
14 Tradition - While waiting for the
wedding to begin, the men and Men’s Ensemble sing about the
importance (and sometimes illogical) value of traditions.
15 Wedding - Barbara’s aunt tries in vain
to get her to change her mind about marrying Mike at the last
minute, but Barbara adamantly refuses and the wedding proceeds,
followed by a
congregational hymn.
16 Wedding Feast - The music is essentially
the same as Barbara’s Prayer and consists of two toasts by
male relatives.
17 Wedding Tango - The Gypsy Band plays
music for the wedding reception at the community hall, culminating
in a romantic tango dance
by Mike and the new Mrs. Mike Weber.
18 Drafted - On the morning after their
wedding, there is a knock
at the door of their wedding chambers and Mike receives
a shattering blow with the
news that he is being drafted, just as they are getting ready to
start their new life together. The music and lyrics are comedic, as
emblematic of the sense of humor that enabled this couple to survive
all the events to come.
Act II Barbara becomes
a refugee fleeing the
Soviet invasion of Hungary. Mike is in the Hungarian Army.
19 Army Life - Mike tries to get out of the
Hungarian Army because he can claim American Citizenship due to
being born in the United States. However, his superior gives him
a choice of going to
prison as an American Spy or serving in the Army so he chooses to
enlist. Later, the Lieutenant is frustrated by his recruits and
starts shooting his pistol, resulting in his demotion to Corporal.
20 Barrack’s Life - This is an expansion of
life as a new recruit in
the Army. The scene demonstrates the universality of conscript life
and could have occurred in any army in the world.
21 Dirty Jokes What goes on in the
Barrack’s after hours? Again, the camaraderie of military life is
further expounded upon.
22 Seduction - Barbara tries to visit her
husband in his military post but Mike’s superior has designs on her,
until she is rescued by a
benevolent older commander.
23 Barbara and Mike’s Barrack’s Visit -
Barbara gets to visit with Mike and he sees his 9 month old daughter
for the first time. The couple are in ecstasy but their future is
clouded by war and ominous events in the home front for the Jews and
other civilians.
24 Narrator 2 - The Narrator describes
briefly Mike’s routine mundane military life in the first three
years of the war, serving in an isolated post in the Border Guards.
Hungary was in a dilemma and had to choose as allies between Germany and Russia. No matter
what they chose, they would lose.
25 Combat - After serving his three years,
Mike thought he was free from the military but he was recalled and
served with a Muslim unit
fighting partisans in Yugoslavia. His bullying superior, Corporal
Nador, is exposed as a
coward in their first exposure to combat.
26 Refugees - The Narrator bridges the gap
in civilian life introducing the changes that would end the 800 year
old residency of the Saxons in Transylvania and their loss of
everything they had ever known, including, in some cases, their very
lives, due to starvation and enemy fire. Church bells ring and drums
drum, summoning villagers to the town meeting that changes their
status to refugees fleeing the Russian onslaught. They are
confronted by a dirty,
starving soldier. After some consideration they share some of their
paltry provisions with him, even though starving themselves.
27 Wounded - Mike is shown in combat,
fighting with inferior military equipment. The best equipment of
course goes to the German Army. As a result, his machine gun
jams and he is wounded in the leg and eye..
28 Home - Mike wakes up in the refugee camp
in Czechoslovakia where his wife Barbara is staying with her family
temporarily. He thinks the war is lost but decides not to desert
because deserters are hung all over from lampposts and tees as
a warning to others.
29 Russian Drinking Party - Barbara and her
family join the leader of the convoy Uncle Mike in making an attempt
to reach Austria in the Western Zone to find freedom. They are
waylaid by a Russian vanguard of advancing troops and are frightened, having heard many
rumors of widespread rape and abuse of refugees. However, Uncle Mike
distracts the Russians, wins them over with his charm and gets them
drunk. The Russians start dancing traditional Russian type folk
dancing until they work themselves up into
a stupor. After sunup the
Russians depart, leaving the refugees to continue their trek in
safety.
30 Promised Land - After one more
frightening adventure (of many) The refugees reach the Western
shores of the Danube River in Austria and the safety of the American
Zone. Threatened with starvation, they by chance are spared by the
appearance and intervention of the starving soldier they had saved
earlier in the trek as refugees to Czechoslovakia.
31 Running - Mike returns to the hospital
in Budweis, Czechoslovakia to report to duty, but the hospital staff
have deserted the place. He joins up with some fellow patients
including Carl Weber from Austria. The group takes off in an
abandoned Red Cross van but abandon it and their weapons after
running out of gas, fleeing on foot through the woods, where they
are shot down one by one by Czech guerrillas. Mike is hampered by
his crutches and throws them away, limping with the survivors.
32 Captured - Mike and 7 friends are
captured by Czech partisans. The partisans are angry at the German
soldiers and decide to line them up against the wall and randomly
shoot every other prisoner in the head. Somehow Mike and Carl
miraculously escape death, and leave through
a hole in the wall before
the Czechs change their minds. Finally, too exhausted to flee any
further, they give up and collapse on the ground, where they are
woken up by the sound of American tanks. Thinking they are saved,
they throw their hands up in the air and surrender.
Act III Mike is a Prisoner of War in
Russia for three years.
33 Dashed Hopes - For three days, Mike &
Carol are treated well by the Americans. They are even allowed to
keep their pistols. Then, the prisoners are handed over to the
Russians and everything changes. They are deceived into cooperating
by promises that they will be returned home in three days.
34 The Train Ride to Hell - Mike & Carl are
taken on a 3 month train
exodus to central Russia in crowded boxcars and treated miserably.
They are only given one paltry meal a day, and lose that on
the rare occasion when someone attempts to escape.
A group did manage to
escape and the Russians just grabbed the same number of Hungarians
from a train work party to
keep the numbers totaling exactly.
35 POW Camp - Mike describes the daily
routine of life in a POW
Camp.
36 Christmas 1945 - Barbara laments another
Christmas without her husband, Mike. She doesn’t even know if he’s
alive or dead. Their lives are harsh, barely existing on work for
food and board, with no or little pay. Everyone is depressed and
tense. Barbara gets in a
fight with her sister over some silly sunflower seeds. They try to
put on a happy face for
Christmas for the Children.
37 Interrogation - Major Stolichnaya begins
his questioning friendly enough with an invitation to play
a game of chess, but
ominously puts his pistol on the table between he and Mike. Mike
relates his feeling that the war was
a mistake and that he was
just a dupe, used as
a pawn by the leaders. He
denies being an American spy, but the Russian ascertains that, by
coincidence, he was the Russian who got drunk with Mike’s wife’s
Uncle Mike on the road to Austria and takes it in rare good humor,
reporting he will not bother Mike with any more questions. The
pistol was loaded with blanks and was
a test of Mike’s
reliability.
38 The Postcard - Barbara is wondering
whether to consider another suitor’s offer to date her when she
finally receives a
postcard that proves she is not a
widow.
39 Carl’s Crisis - Mike’s only surviving
friend gets sick and dies after bequeathing his only possession, his
identity for his friend Mike to use if it can help him.
40 Freedom - Mike is summoned to the
commander’s office and is surprised to learn that he is considered
to sick to be an asset in the Russian economy any further and is
discharged with only the rags on his back and
a train pass, where he
must survive the 3,000 mile train trek back to the West.
41 Reunited - Barbara is summoned from her
work in the fields. She resists leaving work early, but her mother
explains that the ragged vagabond standing there on crutches is her
husband, Mike, who she finally recognizes. The family gather to
celebrate this miraculous reunification after three years as
a prisoner. The narrator
reveals that Mike and Barbara emigrate to the United States, become
prosperous, have six more children and retire to
a relatively comfortable
existence as good American citizens. The Narrator reveals she is
Maria, the baby who almost starved to death as a refugee on Barbara’s
trek to freedom.